Post rock, c'eravamo tanto amati..
Re: Post rock, c'eravamo tanto amati..
Riascoltavo i primi dei Tortoise. Quanto erano avanti questi. Per anni ci siamo sorbiti post rock scontatissimo quando potevamo approfondire meglio loro e capire molto prima altra musica che amiamo oggi. Che fessi.
Re: Post rock, c'eravamo tanto amati..
Qualcuno ha mai ascoltato il disco solista di Efrim Menuck? Com'è?
I used to be carried in the arms of cheerleaders
Re: Post rock, c'eravamo tanto amati..
ce l'ho da qualche parte, mai riascoltato dopo i primi 2 gg
mi sa che non mi era piaciuto
non ricordo
Re: Post rock, c'eravamo tanto amati..
Posto qui perché questo (bellissimo) rifacimento del primo movimento della terza sinfonia di Gorecki sembra un pezzo dei GY!BE
Si parla troppo poco di Stetson, che invece è uno che da queste parti in particolare è strano che non venga idolatrato
Si parla troppo poco di Stetson, che invece è uno che da queste parti in particolare è strano che non venga idolatrato
I used to be carried in the arms of cheerleaders
Re: Post rock, c'eravamo tanto amati..
hai ragione da vendere, e sì, comunque in questo topic almeno se ne dovrebbe parlare
- Homunculus1510
- Posts: 1744
- Joined: 28 Jan 2010 00:09
Re: Post rock, c'eravamo tanto amati..
Ho ascoltato l'ultimo disco qualche giorno fa, primo approccio con lui, a tratti entusiasmante.
Why should we feel bad for what we've done? We still got the taste dancing on our tongues.
- Messer Dino Compagni
- Posts: 2809
- Joined: 08 Sep 2014 13:52
Re: Post rock, c'eravamo tanto amati..
Seguo a ruota.
Ruin has come not in fire nor in ashen rain
Only in turgid silence, hangin', flayed.
Try to lull us in before the havoc begins into a dubious state of serenity
Acting all surprised when you're caught in the lie
It's not unlike you
Only in turgid silence, hangin', flayed.
Try to lull us in before the havoc begins into a dubious state of serenity
Acting all surprised when you're caught in the lie
It's not unlike you
Re: Post rock, c'eravamo tanto amati..
Every Country's Sun è il nuovo album dei Mogwai, esce l'1 settembre.
Re: Post rock, c'eravamo tanto amati..
sui Mogwai
comunicato stampa
Every Country's Sun takes two decades of Mogwai's signature, contrasting sounds – towering
intensity, pastoral introspection, synth-rock minimalism, DNA-detonating volume – and distills it,
beautifully, into 56 concise minutes of gracious elegance, hymnal trance-rock, and transcendental
euphoria. It's a structural soundscape built from stark foundations up; from a gentle, twinkling,
synth-rock spectre to a solid, blown-out, skyward-thrusting obelisk. There's percussive,
dream-state electronics (Coolverine), church organs as chariots of existential fire (Brain Sweeties),
tremulous, foreboding bleeping – possibly from a dying android (aka 47). Their most transportive
album yet, it also hosts their most fully realised art-pop sing-along of their storied history,
Party In The Dark, a head-spinning disco-dream double-helix echoing New Order and The
Flaming Lips. This is music as a keep-out chrysalis, protective audio armour through exalting
organs and portentous, dissonant guitar fuzz warping at the edges, bending the world inside-out
into a reality in which you'd much rather live. The last three songs ascend into explosive exorcism,
closing with the colossal title track, its searching intensity whooshing towards infinity in a
dazzling cosmic crescendo.
Mogwai - Dominic Aitchison (bass), Stuart Braithwaite (guitar, vocals), Martin Bulloch (drums)
and Barry Burns (keyboard, computer, guitar) - formed in Glasgow in 1995, and their output
numbers eight studio albums, 13 EPs, two remix albums, two live albums and four compilation
albums including 2015's collection Central Belters. They’ve also contributed soundtracks to an
impressive spectrum of cinematic releases (both full soundtracks and contributions): alongside
Atomic (a Top 20 UK album in 2016), there's been consistent acclaim for projects including
French TV series Les Revenants (2013) and contributions to Leonardo DiCaprio's climate
change documentary Before The Flood (2016) alongside Trent Reznor and Atticus Ross.
The band have announced a major world tour, kicking off in Oslo on 10 October, taking in dates
in Europe, north America and the UK, and wrapping up with a performance at London’s O2
Academy Brixton on 15 December followed by a massive hometown show at The SSE Hydro,
Glasgow on 16 December. Before then, they will headline Festival No.6 in September.
Visit mogwai.co.uk for full ticket information.
27 October - Fabrique, Milan
28 October - Atlantico, Rome
29 October - Estragon, Bologna
comunicato stampa
Every Country's Sun takes two decades of Mogwai's signature, contrasting sounds – towering
intensity, pastoral introspection, synth-rock minimalism, DNA-detonating volume – and distills it,
beautifully, into 56 concise minutes of gracious elegance, hymnal trance-rock, and transcendental
euphoria. It's a structural soundscape built from stark foundations up; from a gentle, twinkling,
synth-rock spectre to a solid, blown-out, skyward-thrusting obelisk. There's percussive,
dream-state electronics (Coolverine), church organs as chariots of existential fire (Brain Sweeties),
tremulous, foreboding bleeping – possibly from a dying android (aka 47). Their most transportive
album yet, it also hosts their most fully realised art-pop sing-along of their storied history,
Party In The Dark, a head-spinning disco-dream double-helix echoing New Order and The
Flaming Lips. This is music as a keep-out chrysalis, protective audio armour through exalting
organs and portentous, dissonant guitar fuzz warping at the edges, bending the world inside-out
into a reality in which you'd much rather live. The last three songs ascend into explosive exorcism,
closing with the colossal title track, its searching intensity whooshing towards infinity in a
dazzling cosmic crescendo.
Mogwai - Dominic Aitchison (bass), Stuart Braithwaite (guitar, vocals), Martin Bulloch (drums)
and Barry Burns (keyboard, computer, guitar) - formed in Glasgow in 1995, and their output
numbers eight studio albums, 13 EPs, two remix albums, two live albums and four compilation
albums including 2015's collection Central Belters. They’ve also contributed soundtracks to an
impressive spectrum of cinematic releases (both full soundtracks and contributions): alongside
Atomic (a Top 20 UK album in 2016), there's been consistent acclaim for projects including
French TV series Les Revenants (2013) and contributions to Leonardo DiCaprio's climate
change documentary Before The Flood (2016) alongside Trent Reznor and Atticus Ross.
The band have announced a major world tour, kicking off in Oslo on 10 October, taking in dates
in Europe, north America and the UK, and wrapping up with a performance at London’s O2
Academy Brixton on 15 December followed by a massive hometown show at The SSE Hydro,
Glasgow on 16 December. Before then, they will headline Festival No.6 in September.
Visit mogwai.co.uk for full ticket information.
27 October - Fabrique, Milan
28 October - Atlantico, Rome
29 October - Estragon, Bologna
Re: Post rock, c'eravamo tanto amati..
come per un buon film horror, All This I Do for Glory potete ascoltarlo quando volete. Ma solo se lo ascoltate dopo il tramonto potete essere sicuri di ricordarvelo in tutto il suo fascino strisciante.
http://doyourealize.it/colin-stetson-al ... for-glory/
COLIN STETSON ... lo metto in questo topic
http://doyourealize.it/colin-stetson-al ... for-glory/
COLIN STETSON ... lo metto in questo topic
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