Quali dischi sono previsti in uscita nel 2026?
Poca roba di rilievo mi pare, almeno tra quelli che ho tracciato
Gennaio
Xiu Xiu
Dry Cleaning
Julianna Barwick and Mary Lattimore
Lucinda Williams
Cast
Kula Shaker
Shackleton
Lana Del Rey
Geologist
Zach Bryan
Febbraio
KMFDM
Puscifer
Silversun Pickups
Daphni
Converge
Bill Callahan
Nathan Fake
Nothing
Gorillaz
Charli XCX
Marzo
Ladytron
The Notwist
Probabili uscite non ancora annunciate
American Football
Death Grips
Bjork
Flea
Gojira
Muse
U2
Hiss Golden Messenger
Courtney Barnett
Massive Attack
The New Pornographers
Nine Inch Nails
Peter Gabriel
Robyn
The xx
Bruce Springsteen
Tori Amos
2026
Re: 2026
Aggiungo:
EP di Cat Power in uscita il 23 gennaio
Mandy, Indiana il 6 febbraio. Bravini questi, al loro secondo disco, se vi piace il noise
Danny L Harle il 13 febbraio che spero lanci qualche mina dopo qualche uscita un po' sottotono
Quello di Charli è solo una colonna sonora... certo se fosse tutta sul livello del singolo con John Cale sarebbe da godere, ma dubito.
EP di Cat Power in uscita il 23 gennaio
Mandy, Indiana il 6 febbraio. Bravini questi, al loro secondo disco, se vi piace il noise
Danny L Harle il 13 febbraio che spero lanci qualche mina dopo qualche uscita un po' sottotono
Quello di Charli è solo una colonna sonora... certo se fosse tutta sul livello del singolo con John Cale sarebbe da godere, ma dubito.
Re: 2026
Help2
compilation a scopo benefico con Pulp, Damon Albarn, Bat for Lashes, Arctic Monkeys, Depeche Mode...
HELP(2) album out 6th March @warchildrecords
Re: 2026
https://www.cherryred.co.uk/various-art ... cd-box-set
Do you
Scottish bands? The Scottish music scene 1985 - 1999 appears on a fantastic TRIPLE CD on Cherry Red, ranging from the C-86 scene to Chemikal Underground
Available to preorder
Following its blossoming in the post-punk era, by the mid-80s, the Scottish indie scene had become a sprawling, glorious network of bands, fanzines, club nights and record shops. When the NME issued its now-mythic ‘C86’ cassette in 1986, Scottish music featured heavily, setting the tone for a couple of decades of brilliant and eclectic music.
From the noise-pop of The Jesus And Mary Chain and the effortless retro cool of Primal Scream, through the kawaii stylings of Bis and the sophisticated pop of Belle And Sebastian, to the dour post rock of Arab Strap and the melting pot eclecticism of The Beta Band, 'Something For The Longing' pulls together a snapshot of that time and place. Compiled chronologically, this is a story whose narrative takes in familiar faces, mythical scenesters, bona fide rock gods, singularly minded labels and, above all, the inventive musical exploits of a nation punching well above its weight.
Complete with a sleevenote essay and band biographies by curator Grant McPhee, archival imagery and a handful of unreleased recordings provided especially by the artists, 'Something For The Longing' is a must-hear for fans and collectors of the '80s and '90s indie scenes, anybody who was there and then, and the Caledophile in your life.
Do you
Scottish bands? The Scottish music scene 1985 - 1999 appears on a fantastic TRIPLE CD on Cherry Red, ranging from the C-86 scene to Chemikal Underground
Available to preorder Following its blossoming in the post-punk era, by the mid-80s, the Scottish indie scene had become a sprawling, glorious network of bands, fanzines, club nights and record shops. When the NME issued its now-mythic ‘C86’ cassette in 1986, Scottish music featured heavily, setting the tone for a couple of decades of brilliant and eclectic music.
From the noise-pop of The Jesus And Mary Chain and the effortless retro cool of Primal Scream, through the kawaii stylings of Bis and the sophisticated pop of Belle And Sebastian, to the dour post rock of Arab Strap and the melting pot eclecticism of The Beta Band, 'Something For The Longing' pulls together a snapshot of that time and place. Compiled chronologically, this is a story whose narrative takes in familiar faces, mythical scenesters, bona fide rock gods, singularly minded labels and, above all, the inventive musical exploits of a nation punching well above its weight.
Complete with a sleevenote essay and band biographies by curator Grant McPhee, archival imagery and a handful of unreleased recordings provided especially by the artists, 'Something For The Longing' is a must-hear for fans and collectors of the '80s and '90s indie scenes, anybody who was there and then, and the Caledophile in your life.
Re: 2026
Molto buono quanto sta uscendo di Annie Hogan https://thequietus.com/quietus-reviews/ ... ad-review/
Tag: Mark Lanegan’s Bubblegum, PJ Harvey’s Is This Desire?, Marc and the Mambas, Jarboe, HTRK
https://open.spotify.com/intl-it/album/ ... GnrnWbco5A
Tag: Mark Lanegan’s Bubblegum, PJ Harvey’s Is This Desire?, Marc and the Mambas, Jarboe, HTRK
https://open.spotify.com/intl-it/album/ ... GnrnWbco5A
Re: 2026
URGH
Mandy, Indiana
https://mandyindiana.bandcamp.com/album/urgh
Occhio a questo album di rock sperimentale e rumoroso proveniente da una band del Nord dell'Inghilterra. E' roba che uno potrebbe anche provare a definire "nuova". E lei è una mattacchiona.
https://open.spotify.com/intl-it/artist ... SG_WpZbqGw
Un po' sulla scia di ciò che sta facendo Kim Gordon, per come la vivo io.
For Mandy, Indiana, the truth is the only way through. On their Sacred Bones debut URGH, the four-piece - vocalist Valentine Caulfield, guitarist and producer Scott Fair, synth player Simon Catling, and drummer Alex Macdougall - are a force of uncanny nature, grafting together a record that is as much a call to action as a parlay into oblivion and transcendence. Across the ten tracks, the band interpolate their own unconventional language into a mantra for self-determination and resilience, forging a template for a brighter future before it fades to black.
Much of the album was written during a residency at an eerie studio house in the outskirts of Leeds, then recorded across Berlin and Greater Manchester. It was an intense environment partially due to the health issues faced by Caulfield and Macdougall during the writing and recording process.
Yet Mandy, Indiana remain uncompromising. Caulfield uses her voice as a distorted instrument and a weapon, oscillating between playful and eviscerating. The throbbing siren-sound of “Magazine” stands alongside the cut-up vocal fry of “try saying” and the shapeshifting ferocity of “ist halt so,” which channels the urgency of protest movements, referencing resistance to the genocide in Gaza while speaking to struggles more broadly, while final track “I'll Ask Her” is a deliberate directness calling out toxic boy’s club culture and a tenacious reckoning that hangs over the album at large.
Although there are still undeniable “bangers” (like the frazzled rap of “Sicko!” featuring billy woods), URGH often feels hewn with precise cinema. From the bristling techno of “Cursive” to the deconstructed feedback loops of “Life Hex,” the album moves between industrial catharsis and cinematic unease, threading a tension that Fair describes as “a remix of itself.” This contrasting palette is both a necessary aspect of the record as well as the underlying connective tissue.
Though deeply personal, URGH reflects the violent, fractured state of the wider world. Caulfield’s lyrics grapple with assault, systemic indifference, and the omnipresence of pain, while also insisting on moments of beauty and solidarity. URGH belongs in the physical world, and the artwork by Carnovsky, featuring an anatomical illustration of Andreas Vesalius, underscores the record’s visceral confrontation with the body and its limits.
URGH is both otherworldly, and physical and cathartic, both a first step toward healing and a refusal to let the conversation die.
Mandy, Indiana
https://mandyindiana.bandcamp.com/album/urgh
Occhio a questo album di rock sperimentale e rumoroso proveniente da una band del Nord dell'Inghilterra. E' roba che uno potrebbe anche provare a definire "nuova". E lei è una mattacchiona.
https://open.spotify.com/intl-it/artist ... SG_WpZbqGw
Un po' sulla scia di ciò che sta facendo Kim Gordon, per come la vivo io.
For Mandy, Indiana, the truth is the only way through. On their Sacred Bones debut URGH, the four-piece - vocalist Valentine Caulfield, guitarist and producer Scott Fair, synth player Simon Catling, and drummer Alex Macdougall - are a force of uncanny nature, grafting together a record that is as much a call to action as a parlay into oblivion and transcendence. Across the ten tracks, the band interpolate their own unconventional language into a mantra for self-determination and resilience, forging a template for a brighter future before it fades to black.
Much of the album was written during a residency at an eerie studio house in the outskirts of Leeds, then recorded across Berlin and Greater Manchester. It was an intense environment partially due to the health issues faced by Caulfield and Macdougall during the writing and recording process.
Yet Mandy, Indiana remain uncompromising. Caulfield uses her voice as a distorted instrument and a weapon, oscillating between playful and eviscerating. The throbbing siren-sound of “Magazine” stands alongside the cut-up vocal fry of “try saying” and the shapeshifting ferocity of “ist halt so,” which channels the urgency of protest movements, referencing resistance to the genocide in Gaza while speaking to struggles more broadly, while final track “I'll Ask Her” is a deliberate directness calling out toxic boy’s club culture and a tenacious reckoning that hangs over the album at large.
Although there are still undeniable “bangers” (like the frazzled rap of “Sicko!” featuring billy woods), URGH often feels hewn with precise cinema. From the bristling techno of “Cursive” to the deconstructed feedback loops of “Life Hex,” the album moves between industrial catharsis and cinematic unease, threading a tension that Fair describes as “a remix of itself.” This contrasting palette is both a necessary aspect of the record as well as the underlying connective tissue.
Though deeply personal, URGH reflects the violent, fractured state of the wider world. Caulfield’s lyrics grapple with assault, systemic indifference, and the omnipresence of pain, while also insisting on moments of beauty and solidarity. URGH belongs in the physical world, and the artwork by Carnovsky, featuring an anatomical illustration of Andreas Vesalius, underscores the record’s visceral confrontation with the body and its limits.
URGH is both otherworldly, and physical and cathartic, both a first step toward healing and a refusal to let the conversation die.
Re: 2026
Buon disco. Già il precedente album loro era molto interessante se piacciono queste coordinate.AFX wrote: ↑15 Feb 2026 18:39 URGH
Mandy, Indiana
https://mandyindiana.bandcamp.com/album/urgh
Occhio a questo album di rock sperimentale e rumoroso proveniente da una band del Nord dell'Inghilterra. E' roba che uno potrebbe anche provare a definire "nuova". E lei è una mattacchiona.
https://open.spotify.com/intl-it/artist ... SG_WpZbqGw
Un po' sulla scia di ciò che sta facendo Kim Gordon, per come la vivo io.
Re: 2026
Sto ascoltando anche il disco di Joshua Chuquimia Crampton. Non fulminante come i Los Thuthanaka, ma altro lavoro interessante. Non lo metto nel topic electro, perché di musica elettronica qui non c'è niente. Chitarra, folk, sperimentazione...
Re: 2026
https://open.spotify.com/intl-it/album/ ... n_rVAPj20A buono il pezzo nuovo dei Nothing
Re: 2026
Io invece sto trovando molto molto interessante questo:
https://ulrikaspacek.bandcamp.com/album/expo
È pieno di cose che piacciono qua dentro
https://ulrikaspacek.bandcamp.com/album/expo
È pieno di cose che piacciono qua dentro
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