Non so. Questa non mi convince proprio (o magari ci mette un po’ come The Doomed).
Visivamente è abominevole. Le aspettative, per me, scendono di parecchio.
tool
Re: tool
What song went through a painful evolution?
Howerdel: "TalkTalk" was a song that was one of my favorites but he wanted to switch the time signature. Originally it was in 4/4 and then it became 3/4. That stumped me for a long time and was painful. It was one of those things where I have to trust when he has an intuition about something. At the end of the day, I'm in service to inspire him and bring his best to the table.
Today you put out "TalkTalk." What can you say about the creation of that song?
Keenan: That one went through a lot of incarnations. It sounded a certain way when I first heard it, but I didn't really hear anything in it. Then Dave and Billy striped some things down, changed tempos and time signatures and I went, "Oh, there it is" and latched on."
Se ce ne fosse bisogno, questo supporta la tesi di cui parlavo precedentemente che Maynard, nei Tool decide come e cosa cantare, e incide anche sul tempo e sfumature delle canzoni.
Howerdel: "TalkTalk" was a song that was one of my favorites but he wanted to switch the time signature. Originally it was in 4/4 and then it became 3/4. That stumped me for a long time and was painful. It was one of those things where I have to trust when he has an intuition about something. At the end of the day, I'm in service to inspire him and bring his best to the table.
Today you put out "TalkTalk." What can you say about the creation of that song?
Keenan: That one went through a lot of incarnations. It sounded a certain way when I first heard it, but I didn't really hear anything in it. Then Dave and Billy striped some things down, changed tempos and time signatures and I went, "Oh, there it is" and latched on."
Se ce ne fosse bisogno, questo supporta la tesi di cui parlavo precedentemente che Maynard, nei Tool decide come e cosa cantare, e incide anche sul tempo e sfumature delle canzoni.
Re: tool
questa è tutta per i Tool
Maynard, you used to say that you felt like A Perfect Circle and Tool were too beholden to record labels and album-release cycles. It seems to me you've been able to reclaim a lot of your schedule because of the way the industry has changed in the last 10 years.
Keenan: Yeah. I think so. But I think the beauty of labels and deadlines is that artists, free spirits and creative thinkers hide behind them, but it's actually just because they're lazy and don't want to be told what to do. A deadline is helpful. And if you miss it, you miss it, but you have to hold yourself to it as best you can.
Speaking of which, Danny Carey has been saying Tool would be releasing a new album this year. Can you say anything about that, Maynard?
Keenan: [Pauses] No.
It's just something a lot of people are curious about.
Keenan: [Longer pause] Yeah, I've got nothing.
Maynard, you used to say that you felt like A Perfect Circle and Tool were too beholden to record labels and album-release cycles. It seems to me you've been able to reclaim a lot of your schedule because of the way the industry has changed in the last 10 years.
Keenan: Yeah. I think so. But I think the beauty of labels and deadlines is that artists, free spirits and creative thinkers hide behind them, but it's actually just because they're lazy and don't want to be told what to do. A deadline is helpful. And if you miss it, you miss it, but you have to hold yourself to it as best you can.
Speaking of which, Danny Carey has been saying Tool would be releasing a new album this year. Can you say anything about that, Maynard?
Keenan: [Pauses] No.
It's just something a lot of people are curious about.
Keenan: [Longer pause] Yeah, I've got nothing.
Re: tool
Oh
Per me questa è la migliore delle tre
Sarà che è più classicamente APC rispetto alle altre, ma l'ho ascoltata davvero con piacere. Strumentalmente mi sembra molto più a fuoco. Non mi ha annoiato, e qui la melodia bella c'è tutta. La linea di basso è dinamica. La voce tutta delay che si accavalla su se stessa ci sta.
Potrebbe benissimo stare dentro a Thirteenth Step. Quasi mi si riaccende una speranza per il disco...
Testualmente però è anni luce indietro rispetto agli altri due singoli, molto più semplice, riprende il "new Christ" di The Doomed con degli imperativi che nel tono mi fanno un po' The Outsider.
C'è poi da capire se possa c'entrare qualcosa con Mark Hollis... i Talk Talk i dischi ascetici li han fatti eccome
PS. quel SO LONG, AND THANKS FOR ALL THE FISH è bellissimo. Douglas Adams eroe
Per me questa è la migliore delle tre
Sarà che è più classicamente APC rispetto alle altre, ma l'ho ascoltata davvero con piacere. Strumentalmente mi sembra molto più a fuoco. Non mi ha annoiato, e qui la melodia bella c'è tutta. La linea di basso è dinamica. La voce tutta delay che si accavalla su se stessa ci sta.
Potrebbe benissimo stare dentro a Thirteenth Step. Quasi mi si riaccende una speranza per il disco...
Testualmente però è anni luce indietro rispetto agli altri due singoli, molto più semplice, riprende il "new Christ" di The Doomed con degli imperativi che nel tono mi fanno un po' The Outsider.
C'è poi da capire se possa c'entrare qualcosa con Mark Hollis... i Talk Talk i dischi ascetici li han fatti eccome
PS. quel SO LONG, AND THANKS FOR ALL THE FISH è bellissimo. Douglas Adams eroe
C I N O B A L A N O S + Kimono Lights
> For Change is what we are, my child <
«Finalmente l'orizzonte torna ad apparirci libero, pur ammettendo che non è sereno.» - Nietzsche
> For Change is what we are, my child <
«Finalmente l'orizzonte torna ad apparirci libero, pur ammettendo che non è sereno.» - Nietzsche
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