Dead Weather+Kills+J.White

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AFX
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Re: Dead Weather+Kills+J.White

Post by AFX » 05 Oct 2013 09:22

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The Raconteurs are releasing a LP/DVD combo on their live performance at the Ryman Auditorium in Nashville, Tennessee.

il resto... sempre i Racounters pubblicheranno una serie di singoli digitali che alla fine saranno accorpati in un album a fine 2014-inizio 2015.

Dead Weather pubblicheranno un altro album, ma prima c'è questo 7''
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Magus Perde
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Re: Dead Weather+Kills+J.White

Post by Magus Perde » 01 Apr 2014 17:35

Traccia strumentale dal nuovo album di Jack White in uscita a giugno, si intitolerà 'Lazaretto'.

I WS non mi stancano mai, e il pezzo in questione sembra promettere bene. Stima per lui che ha ancora voglia e ispirazione.
Last edited by Magus Perde on 01 Apr 2014 17:35, edited 1 time in total.
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AFX
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Re: Dead Weather+Kills+J.White

Post by AFX » 01 Apr 2014 19:18

Sì poi col fatto che ha la casa discografica, ha una motivazione in più
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Re: Dead Weather+Kills+J.White

Post by AFX » 20 Apr 2014 12:02

THE WORLD'S FASTEST RECORD ok, ma qualcuno l'ha sentita? Non si trova ancora

comunque nel sito della Third Man ci sono oggetti belli forte
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Re: Dead Weather+Kills+J.White

Post by AFX » 21 Apr 2014 21:17

ci avviciniamo, ecco il singolo-titletrack del nuovo album di Jack White
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Re: Dead Weather+Kills+J.White

Post by AFX » 23 Apr 2014 17:05

tracklist dell’album Lazaretto:

1. Three Women
2. Lazaretto
3. Temporary Ground
4. Would You Fight For My Love?
5. High Ball Stepper
6. Just One Drink
7. Alone In My Home
8. Entitlement
9. That Black Bat Licorice
10. I Think I Found The Culprit
11. Want And Able

aspettando Christopher Owens e Panda Bear, pare l'uscita più intrigante del periodo.
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Re: Dead Weather+Kills+J.White

Post by rick81 » 07 May 2014 20:07

"Lazaretto Ultra" avrà queste caratteristiche :

- vinile da 180 grammi
- ci sono due brani nascosti sotto ai centrini di carta, presenti solo nell'edizione su vinile; uno va a 78 giri, l'altro va a 45 giri... l'album, così, contiene pezzi che vanno a tre velocità diverse (33, 45, 78)
- il lato A suona al contrario, ossia va riprodotto facendo partire la puntina vicino al centrino e facendola procedere verso l'esterno
- contiene un doppio microsolco, per cui a seconda del punto in cui si appoggia la puntina si sentirà una intro acustica o elettrica per il brano "Just one drink"
- finitura opaca sul lato B, che ricorda l'aspetto dei vecchi 78 giri
- entrambi i lati finiscono con un solco circolare, che manda in loop il braccio del giradischi
- sul lato A è impresso un ologramma che ritrae un angelo disegnato da Tristan Duke; è la prima volta che qualcosa di simile viene fatta su un disco
- non è stata utilizzata compressione di alcun tipo durante le registrazioni, il mixaggio e il mastering
- i brani sul vinile sono in un ordine differente rispetto al cd e all'edizione digital only
- alcuni brani sono presenti con un mixaggio differente rispetto a quelli del cd e della versione digitale

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Re: Dead Weather+Kills+J.White

Post by AFX » 10 May 2014 14:57

Forse è il vinile definitivo. Speriamo che sia un album migliore rispetto a Blunderbuss che sì aveva lo spirito e la sacralità del blues, però gli mancava qualcosa in urgenza espressiva e profondità. Per me può fare di più. Intanto lunedì notte suona al Fallon Tonight assieme a Neil Young
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Re: Dead Weather+Kills+J.White

Post by AFX » 31 May 2014 19:05

Code: Select all

http://jackwhiteiii.com/an-apology-and-explanation-from-jack-white/
[spoiler]AN APOLOGY AND EXPLANATION FROM JACK WHITE
It seems like it’s becoming obvious that to continue the activities I have planned for the rest of my year as a musician, and not be hounded by nonsense throughout those experiences, I should make a statement to clear up a lot of the negativity surrounding things I’ve said or written, despite the fact that I loathe to bring more attention to these things.

I felt in a way forced into talking about very private opinions of mine that are very much in the realm of “behind the curtain” show business conversations, and things to do with my own family and friends. These are things I never talked about publicly, but through the actions of lawyers trying to villainize me in a private legal scenario, my private letters were made public for reasons I still don’t understand. They contained comments that were part of a much bigger scenario that is difficult to elaborate on, and also one that I really shouldn’t have to explain as it was personal and private in nature.

There are a lot of things that only people around me can know about or understand, but despite all of that I want to say this: I wish the band the Black Keys all the success that they can get. I hope the best for their record label Nonesuch who has such a proud history in music, and in their efforts to bring the Black Keys songs to the world. I hope for massive success also for their producer and songwriter Danger Mouse and for the other musicians that their band employs. Lord knows that I can tell you myself how hard it is to get people to pay attention to a two piece band with a plastic guitar, so any attention that the Black Keys can get in this world I wish it for them, and I hope their record stays in the top ten for many months and they have many more successful albums in their career.

Remarks I’ve made about the state of the music business and about how certain acts create new markets in the minds of music lovers are also very difficult to clarify without exacerbating the issue. In an attempt to not give the music magazine Rolling Stone a “no comment,” because I thought they would use that to convey some sort of pettiness on my part, I decided to try to explain a tiny portion of what they were asking. But, they are the type of comments that are to be made to producers, engineers, and managers who thoroughly understand the behind-the-scenes of what we do all day long. I should’ve been smarter to know that it would be pointless to use comparisons like I did to readers who most likely don’t understand the scenario and that my words would seem very negative in nature. That’s not me trying to sound like I’m above anyone, it was just “shop talk” and it sounded a lot more negative than it was meant to.

I wish no slight to the talents of Winehouse, Duffy, Lana del Rey, and Adele. All of whom are wonderful performers with amazing voices. I have their records and I hope for more success for them all as the years go on. They deserve all they’ve gotten. And, I also would love to state that I personally find it inspiring to have powerful, positive female voices speaking out and creating at all times in the mainstream, and all of those singers do just that, so I thank them.

Meg White, who I also talked about to Rolling Stone about our working conversations, or lack thereof, is, of course, a musician I’ve personally championed for 15 years. She is a strong female presence in rock and roll, and I was not intending to slight her either, only to explain how hard it was for us to communicate with our very different personalities. This got blown out of proportion and made into headlines, and somehow I looked like I was picking on her. I would never publicly do that to someone I love so dearly. And, there are mountains of interviews where my words are very clear on how important I think she is to me and to music.

We live in a sound bite, sensationalized age. The “non apology” has become a lawyer’s dodge for celebrities themselves, given to a public that usually doesn’t want to hear it as it disrupts the tabloid “dirt” that we all want to occur. Because the conversations I’ve had that have been made public and recontextualized are difficult to clarify without making it seem even more petty and strange, this is an apology to anyone I’ve offended with my comments about my creativity, their creativity, and the music business in general. I wish for a long, fruitful, healthy family of creative people to continue to grow around me and the musicians I work with, the city of Nashville, America and the world of listeners that this music can reach.

Anyone who can get people to pay attention for more than a second with musical notes in this age, or any age for that matter, deserves credit and applause. Thank you for reading all of this and I hope that the nonsense started by lawyers and strangers to me and perpetuated by tabloid journalism can be left behind, and all of the musicians can move forward in positivity. So, God bless the Black Keys, Danger Mouse, Adele, Meg White, and anyone else I’ve spoken about, and thank you for understanding. Good fortune to all of them, and I’m sorry for my statements hurting anyone.

Jack White[/spoiler]
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Re: Dead Weather+Kills+J.White

Post by AFX » 03 Jun 2014 07:38

È in giro, taniamolo
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