Altri Suoni

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Azrael1793
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Re: Ho visto cose [topic contenitore]

Post by Azrael1793 » 25 Jul 2017 21:47

"Not Knowing What Is And Is Not
Knowing, I Knew Not"
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AFX
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Re: Ho visto cose [topic contenitore]

Post by AFX » 16 Aug 2017 15:48

http://thequietus.com/articles/22997-ya ... bum-review

TheQuietus ogni tanto andrebbe letto perché tira fuori queste robe tipo Yair Elazar Glotman & Mats Erlandsson

http://thequietus.com/reviews qualcuno da qui ha trovato qualche titolo particolarmente interessante?
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Re: Ho visto cose [topic contenitore]

Post by AFX » 28 Sep 2017 08:23

Bello il nuovo di Colleen
onestamente non mi ricordo di un disco suo che non fosse almeno discreto
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Re: Altri Suoni

Post by AFX » 15 Oct 2017 14:03

Qualcuno conosce buona musica asiatica (Corea del Sud, Giappone in particolar modo) che non sia derivazione occidentale?

esempio: Ground Zero - Revolutionary Peking Opera ver 1.28
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Re: Altri Suoni

Post by AripRne » 01 Nov 2017 14:24

AFX wrote:
28 Sep 2017 08:23
Bello il nuovo di Colleen
onestamente non mi ricordo di un disco suo che non fosse almeno discreto
https://www.facebook.com/colleenplays/v ... nref=story lei che suona uno dei nuovi pezzi
C I N O B A L A N O S + Kimono Lights

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Re: Altri Suoni

Post by AFX » 16 Jan 2018 22:16


il barone del male mi suggerisce questo disco
Lo ascolto mentre leggo Diario Minimo di Eco
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Re: Altri Suoni

Post by AFX » 01 May 2019 17:10


math rock giapponese, Kukangendai
se ne parlerà, dove si parla di musica buona
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Re: Altri Suoni

Post by AFX » 14 Jul 2019 14:27

bello questo per chi cerca altra musica. non classica, non avanguardia, non jazz, solamente "altra".


https://boomkat.com/products/the-sacrificial-code

a quietly subversive double album featuring almost two hours of concentrated, creeping organ pieces governed by a strict acoustic and compositional code with ultimately profound emotional resonance.

‘The Sacrificial Code’ takes a more surgical approach to the methods first explored on last year’s ‘Organ Dirges 2016 - 2017’. Over the course of three parts performed on three different organs, Malone’s minimalist process captures a jarring precision of closeness, both on the level of the materiality of the sounds and on the level of composition.The recordings here involved careful close miking of the pipe organ in such a way as to eliminate environmental identifiers as far as possible - essentially removing the large hall reverb so inextricably linked to the instrument. The pieces were then further compositionally stripped of gestural adornments and spontaneous expressive impulse - an approach that flows against the grain of the prevailing musical hegemony, where sound is so often manipulated, and composition often steeped in self indulgence. It echoes Steve Reich’s sentiment “..by voluntarily giving up the freedom to do whatever momentarily comes to mind, we are, as a result, free of all that momentarily comes to mind.”
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